Audience ‘Members Don’t Get Weary’
Chances are, if you’re picturing modern dance, you’re imagining something that drew its inspiration from choreography by Alvin Ailey, who is credited with popularizing the art form while simultaneously blazing his own trail.
‘Let X equal the cold’
With a previous run on Broadway, a Best Play Tony Award, a Pulitzer Prize for Drama, and a movie adaptation, this run of Proof has some very strong antecedents to live up to.
I volunteer as tribute!
There was quite a bit of excitement when L’assedio di Calais, which hadn’t been performed since 1840, was revived in 1990 in Europe at the Bergamo Festival and just last year in the United States at the Glimmerglass Festival.
A gut feeling
Soon, the empty stage, with a beautiful, defunct organ for backdrop, would be graced by the presence of the most well-known and widely praised period-instrument quartet of the day. Quatuor Mosaïques, an Austrian ensemble that came together 30 years ago, distinguishes itself with its singular use of gut-stringed instruments, specializing in the music of the 18th century.
Everything you’ve ever, and never, done
We define the moment and, reciprocally, the moment defines us. Constellations explores the infinite possibility that inhabits such a moment.
Tiger Style follows two siblings as they explore their identites
The myth of the “tiger mom” took flight in the American imagination with the publication of Amy Chua’s Battle Hymn of the Tiger Mother, which sparked a nationwide controversy about the merits of Asian vs. Western parenting styles. Playwright Mike Lew “felt that it wasn’t being represented [fairly] in the media,” so he decided to write a play about it. He explores not only the myth of tiger parents and the question of what happens after the alleged Carnegie Hall recitals and Ivy League college graduations, but also the identity conundrum that faces Asian-Americans in the 21st century.
The crazy pug lady and life-changing granola
The restaurant will capture a wide variety of experiences: it will have a coffee bar with a delectable selection of pastries throughout the day; it will offer lunch; and in the evening, Tracy’s experience in fine-dining will provide the ultimate experience, whether you’re ordering drinks, pinchos, or dinner.
Carmen sets out to shock: opera for millennials
“Love” and “death” sound remarkably similar in French: l’amour and la mort. This near-homonymity is the thematic core of the opera Carmen. The titular main character is inexorably drawn to the two.
Connecting the dots in Sunday in the Park with George
A Sunday Afternoon on the Island of La Grande Jatte, displayed at the Art Institute of Chicago, served as a theatrical and musical inspiration for Stephen Sondheim, who has been described as “the greatest and perhaps best-known artist in the American musical theater.” For actor Chanler-Berat (Broadway's Peter and the Starcatcher and Next to Normal) and director Peter DuBois (A Little Night Music), who hopped on a plane to view the original painting, it was a source of creative energy.
The pains of reality
Natalie Portman, in her debut as a director, has adapted Amos Oz’s A Tale of Love and Darkness, a coming-of-age memoir by one of Israel’s most celebrated authors.
Much Ado About Nothing: hormones and humor run rampant in Messina gaming lounge
Taking a theatrical journey to Messina, the traditional setting of Shakespeare’s Much Ado About Nothing, was exactly what I needed by the end of this past week. It turned out to be a rather unexpected kind of Messina — a gaming lounge rather than a small Italian town. But hey, “all the world’s a stage,” and the Shakespeare Ensemble does a fantastic job of adapting one of the Bard’s most beloved comedies to ours.
The Embrace of the Serpent: a song, a prayer, a symphony
Deep in the Amazonian rainforest, we embark on a journey with Karamakate (Nilbio Torres), a shaman who is one of the only survivors of his tribe. Colombia is being torn apart and pillaged by the rubber plantation barons who control the country during the colonial era. Director Ciro Guerra’s The Embrace of the Serpent is an intricate and mournful examination of the ravages that this period in history wrought upon the indigenous peoples of Colombia. It is based on the travelogues of two explorers, German ethnologist Theodor Koch-Grünberg (Jan Bijvoet) and American biologist Richard Evans Schultes (Brionne Davis), who wrote some of the only existing accounts of many of these indigenous tribes.
