The length of 'The Goldfinch' — two-and-a-half hours — drags the talented cast down, but it’s not that long movies are necessarily bad. The problem is that it does not have enough redeeming qualities or any reason to be that long, so you’re left wondering, “When is this going to end?”
As Astronaut McBride goes against all odds to journey into space to see his father one more time, the film accurately characterizes the bond between a parent and a child and how far we are willing to go for those that we love. Brad Pitt’s new space movie presents a not-so-distant future with stunning cinematography that leaves you excited for the future of space travel.
URB: One of the most notable things in IT (2017) was its focus on the kids and their development throughout the story as they faced Pennywise’s scares. IT Chapter Two follows this trend as we follow the now grown up Losers’ Club, still the same but also slightly different as a result of their years in adulthood spent away from the ominous Derry.
In the program for MTG’s The 25th Annual Putnam County Spelling Bee, the director’s note mentions, “‘Spelling Bee’ knows exactly what it is like to have a weird hobby and celebrates that,” and I couldn’t agree with her more. SOCIAL MEDIA BLURB: MTG presents a musical about spelling and delivers a story of identity and growing up.
From ‘Marley & Me’ to ‘A Dog’s Purpose,’ we’ve come to know what to expect with movies about man’s best friend: wholesomeness, innocent perspectives, and tears. ‘The Art of Racing in the Rain’ follows these trends while also introducing a dose of pensiveness via Enzo, sagely voiced by Kevin Costner.
The things that go bump in the night is a phrase that brings us back to our childhood days of fear. It makes us think of the creepy creatures hiding just beyond our periphery, waiting to sneak out from the back of our minds to confront us in the dark. ‘Scary Stories to Tell in the Dark’ tries to capture the essence of this childhood fear.
‘The Farewell’ provides a nuanced take on Chinese and American cultures and family dynamics. With an outstanding cast and beautiful cinematography, the film is emotional and personal in a way that reveals love and strength within a family despite tension and cultural differences.
The horror in this movie is definitely disturbing, though I personally expected more. A good amount of the horror takes place off-screen, and we are only ever exposed to the aftermath, which leads to the film feeling less like a horror movie and more like a study of grief and its emotional impacts.
I particularly enjoyed the musical aspect of the film. It was a great way of implementing some of Elton John’s greatest hits, such as “Tiny Dancer,” “Rocket Man,” “I’m Still Standing,” and “Goodbye Yellow Brick Road.” Even if it did lead to the film feeling more episodic, songs were often used to seamlessly transition between large moments in John’s life.
“It does no harm to the romance of the sunset to know a little about it.”
If you lean your head downwards and close your eyes, you might just find yourself being shaken awake and told that it’s time to go.