Don’t be surprised by the administration’s decision on Seth Lloyd
The clear conspiracy on all levels of the Institute to knowingly accept money from a child sex trafficker has been justified and downplayed in a variety of ways.
Indie game developers and enthusiasts join to celebrate a growing medium
This past Saturday, September 10, marked the fifth annual Boston Festival of Indie Games (abbreviated as Boston FIG), held in MIT’s Johnson Athletic Center. The games on display numbered over 100, and varied widely in genre, scope, and style.
Horace and Pete: the best show nobody knows exists
Part One: What is Horace and Pete?
The Tech speaks to Sacha Baron Cohen about The Brothers Grimsby
“I gotta say one thing: fuck Harvard!” This was the first thing Sacha Baron Cohen said when he walked on stage at the screening of his new movie, The Brothers Grimsby.
The Brothers Grimsby stumbles in its attempt to mix action and comedy
If you’ve ever seen a Sacha Baron Cohen movie, you should have an idea of what to expect when you walk into a theater to see his newest film, The Brothers Grimsby. The comedian and actor is known for pushing the boundaries of good taste with his work, and this is no exception. To describe some of the movie’s cruder jokes as obscene would be an understatement, and in fact, when I went to a screening in February, Baron Cohen said that it had only been a week since the film had been edited down enough to not be given an NC-17 rating by the Motion Picture Association of America.
Hannibal Buress performs stand-up comedy at MIT
Stand-up comic Hannibal Buress performed to a sold-out Kresge Auditorium on Friday night, in a comedy set ranging from commentary on the previous night’s Republican debate to a solid five minutes of gibberish rap. The show was sponsored by the De Florez Fund for Humor, and tickets were distributed by lottery to members of the MIT community.
That Dragon, Cancer: a powerful story about loss and its emotional baggage
“I’m sorry guys, it’s not good,” says a man in glasses and a button-down shirt, hesitance in his voice. He’s seated next to a woman holding a clipboard, her head tilted in sympathy at the receivers of this ‘not-good’ news. They are addressing our main characters, arranged on a couch facing them: a husband, a wife, and a small child who happens to be the unwitting subject of the conversation.